| Daniel Oates Born: 1964, Lucerne, Switzerland
Lives and works in New York Education:
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| 1983 - 86
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BFA : Newcastle-upon-Tyne Polytechnic, Newcastle-upon-Tyne, England
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| 1987 - 89
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MFA : University of Cincinnati, Cincinnati, OH
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| Solo Exhibitions:
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| 1998
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Sadie Coles HQ, London, England
303 Gallery, New York, NY
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| 1995
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Museum Schloss Hardenberg, Velbert, Germany
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| 1994
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303 Gallery, New York, NY
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| 1993
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Jack Hanley Gallery, San Francisco, CA
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| 1992
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303 Gallery, New York, NY
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| Group Exhibitions:
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| 2001
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"Almost Warm & Fuzzy: Childhood and Contemporary Art", curated by ICI, Des Moines Art Center, Des Moines, Iowa, also at PS.1, New York, NY
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| 1999
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Gorney, Bravin + Lee, New York, NY
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| 1998
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"Presumed Innocence", curated by Jean Crutchfield, Anderson Gallery, Richmond, Virginia and the Contemporary Arts Center, Cincinnati
"The Sound of One Hand", curated by Collier Schorr, Apex Art C.P., New York, NY
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| 1997
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"Dialogues: Daniel Oates/Mary Esch", Walker Art Center, Minneapolis, MN
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| 1996
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"a/drift: Scenes from a Penetrable Culture", curated by Joshua Dector, Center for Curatorial Studies, Bard College, Annadale-on-Hudson, NY
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| 1995
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"Toys", Galerie Josse Seguin, Paris, France
"Threshold", curated by Dan Cameron, Fundaçao De Serralves, Porto, Portugal
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| 1994
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"Still Life", Barbara Gladstone, New York, NY
"Face-Off, The Portrait in Recent Art", Institute of Contemporary Art, University of Pennsylvania
Galerie Johnen & Schottle, Koln, Germany
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| 1993
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"The Figure As Fiction: The Figure in Visual Art and Literature". The Contemporary Arts Center, Cincinnati, OH
"Patrick Painter Editions", Galerie Johnen & Schottle, Koln, Germany
"Post-Human", FAE Musee d'Art Contemporain, Pully/Lausanne; Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli; Deste Foundation for Contemporary Art, Athens, curated by Jeffrey Deitch.
Paul McCarthy, Daniel Oates, Richard Prince, Jack Hanley Gallery, San Francisco, CA
Richard Kuhlenschmidt Gallery, Los Angeles, CA
"Everyday Life", curated by Simon Watson, Kim Light Gallery, Los Angeles, CA
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| 1992
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"Insignificant", curated by Gavin Brown, 10 E39th St, Suite 525, New York, NY
"How It Is", curated by Jonathon Seliger,Tony Shafrazi Gallery, New York, NY
Karen Kilimnik, Glen Ligon, Suzanne McClelland, Daniel Oates, Jack Hanley Gallery, San Francisco, CA
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| 1991
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"True to Life", curated by Gavin Brown, 303 Gallery, New York, NY
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| Bibliography:
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| 2001
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V Magazine, No. 11, May-June, p. 40
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| 1999
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review, frieze, January-February, Issue 44, pp. 78-9
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| 1998
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"Presumed Innocence", exhibition catalog, curated by Jean Crutchfield, Anderson Gallery, Richmond, Virginia and the Contemporary Arts Center, Cincinnati
Goodman, Jonathan, Art in America, Sept., pp. 124-5
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| 1997
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Kamps, Toby, Review, Sculpture, December, pp.70-2
"Echoes: Contemporary Art at the Age of Endless Conclusions", edited by Francesco Bonami, Monicelli Press, New York
MacMillian, Jeffrey, "Santa's Little-Known Helpers", U.S. News & World Report, December 15, pp. 74-8
"a/drift", catalog, curated by Joshua Decter, Center for Curatorial Studies, Bard College
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| 1995
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Artist's Project, Frieze Magazine, Fall, 1995
"Threshold", catalog, Fundaao De Serralves, Porto, Portugal
"Skulpturen", catalog, Museum Schloss Hardenberg, Velbert-Neviges, Germany
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| 1994
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Smith, Roberta, Art in Review, The New York Times, Friday February 11
"Face Off: The Portrait in Recent Art", catalogue, ICA Philadelphia
Rian, Jeff, Review, Flash Art, November-December
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| 1993
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Myers, Terry, Review, LAPIZ, February, p.71
Adams, Brook, Review, Art in America, March, p. 114-116
Choon, Angela, "From Myths to Reality", Art & Antiques, September, p. 29
"The Figure as Fiction", catalog, The Contemporary Arts Center, Cincinnati
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| 1992
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"Post-Human", catalog, FAE Musee D'Art Contemporain, Lausanne, Switzerland; Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli, Italy; Deste Foundation for Contemporary Art, Athens, Greece; Deichtorhallen Hamburg, Hamburg, Germany
Selwyn, Marc, Ouverture, Flash Art, November/December, p.94
Cameron, Dan, "before and after", frieze, September/October, pp. 16-19
Goings On About Town, The New Yorker, December 21, p. 24
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| 1991
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Goings On About Town, The New Yorker, August 5, p. 13
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